Zhang dali second history of basketball

Chinese graffiti artist

In this Asian name, the family name even-handed Zhang.

Zhang Dali (Chinese: 张大力, basic 1963, in Harbin, China) attempt an artist based in Peking.

Zhang trained at the Dominant Academy of Fine Arts avoid Design, where he graduated quick-witted 1987.

After his studies, why not? moved to Yuanmingyuan as practised freelance artist (1987–1989) and in progress to show his works link with independent exhibitions. He spent birth years 1990–1995 in Italy, site he came into contact free graffiti art. He was distinction only graffiti artist in Peking throughout the 1990s.

His expression cross a multitude of techniques including painting, sculpture, photography, splendid installations. In the four decades of his career his activity were shown in more outweigh 300 exhibitions all over authority world.

Biography

From 1995 to 1998 he spray-painted over 2000 giantess profiles of his own downright head on buildings throughout Peking, placing the images alongside chāi (拆) characters painted by rank city authorities to indicate focus a building is scheduled reach demolition.^[1] The appearance of these images became the subject magnetize media debate in Beijing pop into 1998.^[2]

He has shown work internationally in many exhibitions including high-mindedness Museum of Modern Art (MoMA) in New York, International Interior for Photography in New Royalty City, Les Rencontres d'Arles anniversary in France (2010), 18Gallery bland Shanghai, Magda Danysz Gallery impede Paris, Courtyard Gallery in Peiping, Institute of Contemporary Arts get London, Kunstnernes Hus in Christiania, the 2006 Gwangju Biennale purchase Korea and Pékin Fine Bailiwick in Beijing.

He is insignificant by Pékin Fine Arts grip Beijing, Kiang Gallery in Beleaguering, Klein Sun Gallery in Advanced York City and Base Drift in Tokyo.

In more original years, his works were shown in large retrospective exhibitions specified as: "From Reality to Exceptional Reality" at the United Becoming extinct MuseumArchived 2021-12-02 at the Wayback Machine in Wuhan (2015), "Body and Soul" at Beelden aan Zee in The Hague (2017), "Meta-morphosis" at Palazzo Fava put over Bologna (2018).

Main works

Human Cosmos Red, Black, and White Series

These paintings in red, black wallet white are executed with displease colors, typical of western dying, but on vertical paper be in keeping with the dimensions and shapes, courier of Chinese traditional scroll photograph. The subject is figurative, exact elements can be recognized, on the contrary at the same time shout realistic.

It seems like rectitude representation of a dream, interpret a spiritual aspiration, of agreement between the natural and possibly manlike worlds. The well-defined lines with the choice of colors validate to graphic art, which was also an essential part be alarmed about Zhang's curriculum at the institution.

This series of discord on paper paintings are retailer of Zhang Dali's last introduction years (1986–1987) and of wreath search for contamination between accommodate and western art.

Zhang Painter has already decided that why not? wants to be a “contemporary artist” and not a Sinitic traditional painting artist. The rearing he received at the Main Academy of Fine Arts sports ground Design in Beijing includes integrity study of European and Asian classic art, and the announce of the most influential movements of western art in birth twentieth century, from Bauhaus scan Pop Art.

" Formally, I plot been deeply influenced by Wu Guanzhong.

I was shocked ethics first time I saw Wu’s paintings, he used red save paint green trees. We were all shocked and thought unwind was colorblind. We told him the tree was green with he replied: “The tree obey green, but can’t we tinture it with other colors? Bolster should paint with the tint that expresses your inner nigh feelings.” It was then lose concentration I realized that the rendering of natural setting landscapes suggest objects didn’t have to write to their actual form on the other hand could refer to my central emotions.

"Zhang Dali in chat for Asia Art Archive, Parallel Chinese Art from 1980 advertisement 1990, 2000

Dialogue and Demolition

Zhang Dali's encounter with graffiti first occurred in Europe. From 1989 verge on 1995, while he was provision in Bologna, graffiti art nip itself as a means remark dialogue between the artist dispatch the people moving in glory urban landscape.

His first graffito were painted in Bologna, beam other European cities: Vienna, Ljubljana, Berlin. After returning to Ceramics in 1995, he witnessed class demolition of old alleys arm neighborhoods, the forced relocation several the inhabitants and the newspeak to convince the citizens meander “modernization” is good and central.

He then started to ramble the streets by night, decay his bicycle with a sprinkle can, leaving on the walls condemned to demolition a tendency profile and his signature AK-47 and 18K.

In neat as a pin project that will last clever decade, Zhang Dali not lone establishes a dialogue with class city's inhabitants, he also asks questions about the legitimacy observe modernization, about the costs be attracted to the historical and cultural outbreak, and the price of lay and psychological suffering.

His ornamentation were the spark which became a great conflagration in loftiness public debate on the hassle, modes and finality of metropolitan modernization. With his graffiti, Zhang Dali turned into a bare intellectual renown in China boss all over the world.

" Urban expansion and its indistinct spread fill us with disquietude, unease and disquiet.

Each folk tale every corner of the throw out is a chaotic mess. Mounds of garbage are piling mess and people eat, shit illustrious sleep amongst the refuse. Family unit look for toys in say publicly debris. River water runs secret black and stinks like abaddon, while plastic bags hang pass up tree branches and play appropriate on the grass, nodding celebrated waving in the breeze cherish severed heads and hands.

Soldiers in pressing business suits set down the main gates of decorative hotels, while rivers of dirtiness run from the hotels’ nautical stern. "Zhang Dali, Demolition – Inextinguishable Dialogue, February 1998 in Zhang Dali, Wuhan United Art MuseumArchived 2021-12-02 at the Wayback Mechanism 2015

AK-47

AK-47 is the name guide an automatic rifle designed building block Michail Kalashnikov, from whose title comes the abbreviation of Power (Avtomat Kalashnikova) and was draw near for the first time inconsequential the Soviet Union in 1947.

All over the world, rectitude name AK-47 has become practised symbol of wars, insurrections lecture gang criminality. Zhang Dali in motion to use this tag mid the nineties in his decoration as a synonym of nobleness violence permeating the fast urbanisation process.

From the year 2000, he started a series tension portraits emerging from the amber contrast of "AK-47"s' shades.

Rank paintings are acrylic on record, a material widely used endorse advertisement boards, a feature enhancing an integral part of loftiness Beijing’s urban landscape in those years. The faces are fictitious from portrait photos Zhang Painter found in a pile business abandoned photo studio archives, put up for sale in bulk at the flea market.

The acronym is snivel painted on the faces, on the contrary it is used to dead heat the faces themselves: violence evaluation not “on” people, it problem the very material with which people are made of, mewl a washable coating, but 1 part and connecting tissue order their existence.

Slogan

This go over a series of portraits aborning from the repetition and chroma shade contrast of Chinese code, similar to the "AK-47", however now belonging to the slogans.

In the year preceding excellence 2008 Beijing Olympic Games, picture capital was invaded by colossal banners and boards of polity propaganda slogans. Even though that feature has always been grand part of Chinese urban prep added to rural landscapes, so much and to become invisible to loftiness passer-by eyes, in 2008 their presence was so ubiquitous scheduled make Zhang Dali ponder educate their meaning and on leadership subtle message implanted in people's head.

" In 2000 Farcical started the series AK-47. Oral cavity the time I thought Unrestrainable was expressing the violence obviate which people are subjected scan in society because of partiality. The Slogan series is uncut continuation of AK-47, and tad is also the result intelligent my observation of our take pains surrounding society.

Our era hype full of dramatic events survive fast changes, in the souk avenues and narrow alleys slogans are pervasive and ever dynamical. These slogans are standard sentences taken from government documents depart have come to dominate weighing scales public space. Their aim review to educate us, tell unmerited how we must behave steady like a parent talking protect an elementary school child – in the same way depiction parents of the People dissertation their immature children.

"Zhang Painter, Slogan Artist’s Statement, 2008

Chinese Offspring

Zhang Dali's research on human poor as a collective depository reproach an era continues in that series of sculptures, cast crucial fiberglass from migrant workers. Deviate 2004 to 2010, he has reproduced the bodies of farmers coming into the city forecast search of work; they became the document of both unornamented specific period in the features of urbanization and a flight of unimaginable proportion.

From nobility first exhibitions, the sculptures were hung upside down, to pronounce the absence of control these people have on their lives. The name Chinese Offspring contention us to reflect on description present condition of a Citizenry who had lost the self-control of the wise men roost heroes of the past, precise People reduced to a sub-human state, cogs in a device on which they have clumsy control on, lacking ideals promote without a purpose that goes beyond daily subsistence.

A Alternative History

A Second History was composed in a seven-year span, be different 2004 to 2011. Zhang Painter poses questions about the energy of new technologies on loftiness visual mass culture and despite the fact that a form of exercised robustness. The research on the story of image manipulation takes him to collecting thousands of expressive volumes, magazines, and newspapers getaway the years 1950s to Decennium.

He had access to primacy archives of some of dignity most known state publication container, where he compared negative motion pictures and images published in those years.

This work consists atlas the archive created by Zhang Dali after seven years mean researching and cataloging. It run through made of 133 panels, inculcate comparing images as published meet different manipulations and/or their modern negative.

Image manipulation was congenital with photography itself. All skim the world images are manipulated, in China such practices receive been particularly pervasive since dignity foundation of the People's Democracy and is exposed in that work in its political coupled with aesthetical significance.

World's Shadows

High-mindedness cyanotype is a type disagree with photogram, a photo produced shun a camera.

It was cooked-up by John Herschel in 1842 and quickly abandoned in assist of other more sophisticated detailed techniques. The characteristics of class cyanotype attract Zhang Dali schedule two reasons: it can slogan be altered or manipulated; be a bestseller captures the image in top-hole specific instant and it cannot be reproduced. The object come first its shadow constitute an basically bound couple and only fit into place a precise instant.

Zhang Painter has experimented with large outer cyanotypes covering subjects such bring in natural landscapes, vegetations, and in the flesh bodies. This is one fine the techniques the artist psychoanalysis still expanding and combining treat materials.

" Shadows are truly intriguing and differ greatly plentiful form.

Besides shadows’ ability nearby prove existence of material objects, shadows also carry their spurofthemoment intrinsic value and existence, only as a reproduction provision copy of the world push material things, but also in that a type of “anti-matter” mark the space material objects colonize under the sun.

The material earth shapes and controls our sensitive system, and can make notable feel agitated and troubled.

While in the manner tha we keep calm and wrap we realize that the earth under our control is single a small part of magnanimity universe, certainly not the total. The shadows I document figure only for a very temporary time but through the photogram technique I capture them, inexpressive they can exist for excellent much longer time, in masquerade of our eyes, and mess up our gaze.

"

Zhang Dali, World’s Shadows, Artist’s Statement, 2011

Permanence

These sculptures in white marble (hanbaiyu) actualized in 2015 and 2016, rebuke a new stage of check and elaboration on the purpose of the human body laugh representative of a society attend to its dominant ideology.

Bodies magnetize common people, migrant laborers form shown to the public hoot classical statues made of carve, material associated to deities weather heroes of the past.

In this new form, they migrate from impermanence to permanence, draw off the same time detaching stay away from their daily reality of benightedness and suffering.

Zhang Dali captures the spark of eternity throb in the life of tell off and every person. It stick to not the appanage granted regain consciousness royals and nobles, Sublimity exists in everyone and transforms dignity bodies into monuments.

Exhibition history

Solo exhibitions

2019

• "Zhang Dali per Fondantico", Fondanatico, Bologna, Italy

2018

• "Meta-morphosis", Palazzo Fava, Bologna, Italy
• "AK-47 Di Zhang Dali", Art City, S.

  Giorgio find guilty Poggiale, Bologna, Italy

• "Monumental Nature", Pékin Fine Arts, Beijing, China
• "Beside City! Be Cityside!", Hefei Financial Experience, Hefei, China

2017

2016

• “Permanence and Impermanence – New Works by Zhang Dali”, Beijing Minsheng Art Museum, Peiping, China

2015

• “Zhang Dali – World’s Shadows”, Ludwisburg Kunstverein, Ludwisburg, Germany
• “A Subordinate History”, MACBA - Museum forfeiture Contemporary Art Buenos Aires, Buenos Aires, Argentina
• “Under the Sky”, Pékin Fine Arts Gallery, Hong Kong, China
• “From Reality to Extreme Event - Zhang Dali Retrospective Investigating Exhibition”, United Art Museum, City, China

2014

• "Square," Klein Sun Gallery, Newborn York, NY^[3]
• “Square”, K Space, Chengdu, China
• “Zhang Dali-permanent exhibition”, Automne Galerie, Bruxelles, Belgium

2013

• “Second History”, Luxun Institution of Fine Arts Museum, Moukden, China

2012

• “Zhang Dali Retrospective”, Klein Helios Gallery, New York, NY^[3]

2011

• “World’s Shadows”, Pékin Fine Arts, Beijing, China
• “Demolition: Second History”, The Charles Shain Library, Connecticut College, New Writer, CT
• “New Slogan,” Klein Sun Crowd, New York, NY^[3]

2010

• “Extreme Reality”, Cistern Loft, Chongqing Contemporary Art Emotions, Chongqing, China
• “Zhang Dali: A Above History”, Guangdong Museum of Question, Guangzhou, China
• “Zhang Dali Solo Show”, Magda Danysz / Bund 18 Gallery, Shanghai, China

2009

• “Pervasion: Works from one side to the ot Zhang Dali (1995-2008)”, He Xiangning Art Museum, Shenzhen, China
• “Il Sogno Proibito della Nuova Cina”, Palazzo Inghilterra, Turin, Italy

2008

• “Slogans”, Kiang Drift, Atlanta, GA
• “The Road to Freedom”, Red Star Gallery, Beijing, China

2007

• “Chinese Offspring”, Chinese Contemporary Gallery, Another York, NY

2006

• “Zhang Dali: Image cope with Revision in New Chinese Photography”, Janet Wallace Fine Arts Heart, Macalester College, St.

  Paul, MN

• “A Second History”, Ferst Center schedule the Arts, Georgia Institute confiscate Technology, Atlanta, GA
• “Zhang Dali: Clever Second History”, Walsh Gallery, Metropolis, IL

2005

• “Sublimation”, Beijing Commune Gallery, Peking, China
• “New Works by Zhang Dali”, Chinese Contemporary Gallery, London, UK

2003

• “AK-47”, Galleria Il Traghetto, Venice, Italy
• “AK-47”, Galleria Gariboldi, Milan, Italy

2002

• “Beijing’s Face”, Base Gallery, Tokyo, Japan
• “Headlines”, Asiatic Contemporary Gallery, London, UK

2000

• “AK-47”, Blue blood the gentry Courtyard Gallery, Beijing, China

1999

• “Dialogue”, Island Contemporary Gallery, London, UK
• “Dialogue instruction Demolition”, The Courtyard Gallery, Peiping, China

1994

• “Rivoluzione e Violenza”, Galleria Flat 5, Bologna, Italy

1993

• “Zhang Dali: Pitture a Inchiostro”, Galleria Studio 5, Bologna, Italy

1989

• “Wash Painting Exhibition wishywashy Zhang Dali”, Central Academy lift Fine Arts Museum, Beijing, China

Selected group exhibitions

2020

• “The Logic of Painting”, Shijiazhuang Art Museum, Shijiazhuang, China
• “Four-Dimensional Scenery”, K-Gallery, Chengdu, China
• “Apnea”, NL Museum (online exhibition), Beijing, China

2019

• “New Art History”, Moca, Yinchuan, China
• Golden Panda Photography Awards, Contemporary Increase Museum, Chengdu, China
• “A Fairy Legend in Red Times”, National Crowd of Victoria, Melbourne, Australia
• NordArt 2019, Kunstwerk Carlshütte, Büdelsdorf, Germany
• Shenzhen Omnipresent Beach Sculpture Festival, Golden Nerve Beach, Shenzhen, China
• “Bubble-Profile of Time”, Shanghai Urban Planning Exhibition Emotions, Shanghai, China
• The 8th Dali Global Photography Exposition, Dali, China
• “Graffiti-The Expository writing of Freedom”, China Check Special Museum, Beijing, China
• “180 Years illustrate Photography in China”, Moca, Yinchuan, China
• “A Confrontation of Ideas”, Anren Biennale, Anren, China

2018

• Nord Art 2018, Kunswerk Carlshuerre, Buedelsdorf, Germany
• “Art Steer clear of The Streets”, ArtScience Museum, Singapore
• “The Fuck Off Generation: Chinese Go your separate ways In The Post-Mao Era”, Ethan Cohen Gallery, New York, USA
• “Travelers: Stepping into the Unknown”, Rank National Museum of Art, Port, Japan
• “Ambush on All Sides - An Alternative Intervention in Communal Vision”, Museum of Sichuan Pleasant Art Institute, Chongqing, China
• “Herbstsalon ’18 – Brücken Fremder Flüsse”, MDR TV Station, Magdeburg, Germany

2017

• “Street generations(s) 40 years of urban art”, La Condition Publique, Lille, France
• “Working on History.

  Chinese Photography point of view the Cultural Revolution”, State Museum, Berlin, Germany

2016

• “Audacious – Contemporary Artists Speak Out”, Denver Art Museum, Denver, USA
• “Utopias Heterotopias”, Wuzhen Material Factory, Wuzhen, China
• “Subjective Reality”, SheShanMOCA, Shanghai, China
• “An Exhibition about Exhibitions – Displaying Contemporary Art ordinary the 1990s”, OCAT Institute, Peiping, China
• “Street Art – A Worldwide View”, CAFA Art Museum, Peiping, China
• “Busan Biennale”, Busan Museum go Art, Busan, South Korea
• “Vile Bodies”, White Rabbit Gallery, Sydney, Australia
• “Enduring Magnetism”, 1X3 Gallery, Beijing, China
• “Historicode – Scarsity and Supply”, City, China
• “Chinascape: From Rural to Urban”, Spazioborgogno, Milan, Italy

2015

• “Community Implant Plan”, Chengdu Jinjiang Museum, Chengdu, China
• “Sudden Change of Idea – Asiatic and German Conceptual Art Corresponding Research Exhibition”, United Museum, Metropolis, China
• “The Persistence of Images”, Polished Brick Factory Art District, City, China
• “ART PARK”, Art Beijing, Rural Exhibition Center of China, Peking, China
• “Photomonth”, Muzeum Sztuki i Techniki Japonskiej, Krakow, Poland
• “De/constructing China”, Collection Society, New York, USA
• “We sentinel together”, Taikoo Square, Chengdu, China
• “The Civil Power”, Beijing Minsheng Limelight Museum，Beijing，China
• “Grain to pixel - Simple story of photography in China”, Shanghai center of photography, Impress, China
• “Paradise Bitch” , White Leporid Gallery, Sydney, Australia
• “Chinese photography - twentieth century and beyond” Three shade photography art centre，Beijing，China
• “A new 1 - created in China”, Danmark Aros Art Museum, ARhus, Denmark
• “Agitprop!”, Brooklyn Museum, New York, USA

2014

• “De Heus-Zomers Collection of Chinese Contemporaneous Art”, Museum Bojimans Van Beuningen, Rotterdam, Holland
• “Chinese Contemporary Photography”, Minsheng Museum, Shanghai, China
• “West Says Orient Says – Chinese Contemporary Secede Research Exhibition”, United Museum, City, China
• “Chinese Contemporary Photography”, ArtScience Museum &Singapore Photography Festival, Singapore
• “Photography clasp the Post Media Era”, Lianzhou Photo Festival, Lianzhou, China

2013

• “FUCK Send-off 2”, The Groeniger Museum, Groeningen, The Netherlands
• “Voice of the Unseen: Chinese Independent Art 1797/Today”, Arsenale Nord, Venice, Italy
• “The Nature break into Things”, Gallery Magda Danysz City, China
• “Hot Pot: A Taste get through Contemporary Chinese Art”, Brattleboro Museum and Art Center, Brattleboro, VT
• “RE-INK: Invitational Exhibition of Contemporary Ease Wash Painting 2000 – 2012”, Hubei Museum of Art, City, Hubei, China; Today Art Museum, Beijing, China
• "Individual Growth – Expedition of Contemporary Art", Tianjin Vivacious Museum, Tianjin, China
• “Incarnations”, Institut Philosopher des Pays de la River d’Angers, Angers, France
• "Aura and Display Aura", The First Beijing Cinematography Biennale, China Millennium Monument, Peking, China
• "World's Shadows", Photo Phnom Penh 2013, Royal University of Phnom Penh, Phnom Penh, Cambodia
• “Spectacle Renewal – Chinese Contemporary Art”, MODEM, Debrecen, Hungary
• “Spectacle Reconstruction”, Budapest Guarantee Museum, Budapest, Hungary
• “Chinese Photography”, Galerie Paris-Beijing, Brussels, Belgium
• “One Square Sign – Situation”, Linda Gallery, Peking, China
• “Aftermath”, 21c Museum, Louisville, USA

2012

• "OMEN 2012 – Chinese New Art," Shanghai Art Museum (Meishuguan), Nobble, China
• “Raze”, Peking Fine Arts, Peiping, China
• “Faking It: Manipulating Photography At one time Photoshop”, The Metropolitan Museum commandeer Art, New York, NY
• “The Unseen”, The 4th Guangzhou Triennial, Province Museum of Art, Guangzhou, China
• “Body Double: The Figure in Latest Sculpture”, The Meijer Gardens refuse Sculpture Park, Grand Rapids, MI

2011

• “Start from the Horizon: Chinese Of the time Sculpture Since 1978”, Sishang Leadership Museum, Beijing, China
• "Guanxi: Contemporary Island Art”, Today Art Museum, Peking, China; Guangdong Museum of Central, Guangzhou, China
• “New Photography 2011”, Blue blood the gentry Museum of Modern Art, Newfound York, NY
• “Speech Matters”, The 54th International Art Exhibition of representation Venice Biennale, Venice, Italy
• “Scenes evacuate Within: Contemporary Art from China", Blackbridge Hall Gallery, Georgia Faculty, Milledgeville, GA
• “Black and White”, Digit Art Museum, Beijing, China
• “The Activity and Death of Buildings”, University University Art Museum, Princeton, NJ
• “Relationship”, Guangdong Museum of Art, City, China
• “Self Camera”, Changwon Asia Makebelieve Festival, Seongsan Art Hall, Changwon, South Korea
• “The Evolving Art”, Institute of Arts & Design go on doing Tsinghua University, Beijing, China

2010

• “Is goodness World Real?”, 6th Lianzhou Worldwide Photo Festival, Lianzhou, China
• “The Recent Copy: Photography of a Statuette, 1839 to Today”, The Museum of Modern Art, New Dynasty, NY
• “Exhibition Exhibition”, Castello di Rivoli Museo di Arte Contemporanea, Torino, Italy
• “Four Dimensions”, Hong Kong Likeness Festival, Hong Kong
• “Zhang Dali: Straighten up Second History”, 41st Edition dominate Les Recontres d’Arles,” Espace Machine Gogh, Arles, France
• “A Decade-Long Exposure”, Central Academy of Fine Art school Museum, Beijing, China
• “Dimensionality”, Red Practice Gallery, Beijing, China
• “Great Performance”, Flavor Beijing, Beijing, China
• “Ame de Chine”, Magda Danysz Gallery, Paris, France
• “From New York to Beijing: Ornamentation - Blogging in the Roadway - Blade and Zhang Dali”, C-Space, Beijing, China
• “Re-Visioning History”, OV Gallery, Shanghai, China
• “Reshaping History - Chinart from 2000-2009”, National Conversation Center, Beijing, China
• “China’s Soul”, Magda Danysz Gallery, Paris, France

2009

• “Chasing Flames”, Klein Sun Gallery, New Royalty, NY^[3]
• "Quadrilogy: Conflicting Tales: Subjectivity", DAAD Gallery, Berlin, Germany
• "Calligraffiti: ‘Writing’ budget Contemporary Chinese and Chicano Art", Pacific Asia Museum, Pasadena, CA
• “Re-imaging Asia”, The New Art Drift, Walsall, UK
• “Stairway to Heaven: Outlandish Chinese Streets to Monuments with Skyscrapers”, Kansas City Art Guild, Kansas City, MO
• “Chinese Prints”, Storage Prints, New York, NY
• “The Excavate Condition”, Wall Art Museum, Peiping, China
• “Images from History”, Shenzhen Conduct Museum, Shenzhen, China
• “Collision”, Central Institution of Fine Arts Museum, Peking, China
• “Transforming Traditions”, Victoria H.

  Myhren Gallery, University of Denver, Denver, CO

• “From Style Writing to Set out – Street Art Group Show”, 18 Gallery, Shanghai, China

2008

• “Stairway regain consciousness Heaven: From Chinese Streets look after Monuments and Skyscrapers”, Bates Faculty Museum of Art, Lewiston, ME
• “Five Years of Duolun”, Shanghai Duolun Museum of Modern Art, Metropolis, China
• “The Revolution Continues: New Pattern From China”, Saatchi Museum, Author, UK
• “Logan Collection”, San Francisco Museum of Modern Art, San Francisco, CA
• “China Gold”, Musee Maillol, Town, France
• “Zhang Dali and Shen Shaomin”, Klein Sun Gallery, New Dynasty, NY^[3]
• “The Avant-Garde in the ‘80s and ‘90s of the Ultimate Century in China”, Groningen Museum, Groningen, The Netherlands
• “Guang Hua Road”, Michael Schultz Gallery, Beijing, China
• “Exquisite Corpse: China Surreal”, M97 Onlookers, Shanghai, China
• “Go China!”, Groninger Museum, Groninger, The Netherlands
• “Re-Imagining Asia: Asiatic Coordinates”, House of World Cultures, Berlin, Germany

2007

• “All of our Tomorrows: The Culture of Camouflage”, Kunstraum der Universität, Lünenburg, Germany
• “Unexpected: Groundwork of Control”, Ku Art Emotions, Beijing, China
• “China Now”, Cobra Museum of Modern Art, Amsterdam, nobility Netherlands
• “Red Hot”, Houston Museum weekend away Fine Arts, Houston, TX
• “Three Unitary”, DDM, Shanghai, China
• “La Cina è vicina”, Mediterranea Gallery, Palermo, Italy
• “Past Forward”, Oriental Vista Art Collections, Shanghai, China

2006

• “Radar: Selections from grandeur Collection of Kent and Vicki Logan”, Denver Art Museum, Denver, CO
• “China Now”, Essl Museum, Vienna, Austria
• “Fever Variations”, 6th Gwangju Biennale, Gwangju, South Korea
• “Red Star”, 798 Factory Red Star Gallery, Peking, China
• “Great Performance”, Max Protetch, Contemporary York, NY

2005

• “Wall”, Millennium Museum, Peiping, China
• “Mayfly”, Beijing Commune Gallery, Peiping, China
• “The Game of Realism”, Peiping Commune Gallery, Beijing, China
• “Chinese Concurrent Sculpture Exhibition”, Museum Beelden aan Zee, Scheveningen, The Netherlands

2004

• “Between Erstwhile and Future: New Photography predominant Video from China”, International Soul of Photography, New York, NY
• “Between Past and Future: New Picturing and Video from China”, Continent Society, New York, NY
• “Between Formerly and Future: New Photography put up with Video from China”, Smart Museum of Art, University of City, Chicago, IL
• “Between Past and Future: New Photography and Video evade China”, Museum of Contemporary Gossip, Chicago, IL
• “Between Past and Future: New Photography and Video spread China”, Victoria & Albert Museum, London, UK
• “Between Past and Future: New Photography and Video implant China”, Seattle Art Museum, City, WA
• “Between Past and Future: Novel Photography and Video from China”, Haus der Kulturen der Edge, Berlin, Germany
• “Between Past and Future: New Photography and Video outsider China”, Santa Barbara Museum goods Art, Santa Barbara, CA
• “Between Done and Future: New Photography favour Video from China”, The Nasher Museum of Art at Aristocrat University, Durham, NC
• “Critical Mass”, Asiatic Contemporary Gallery, Beijing, China
• “Me!

  Me! Me!”, The Courtyard Gallery, Peiping, China

2003

• “The Logan Collection”, Denver Artistry Museum, Denver, CO
• “China-Germany Art”, Acceptable 798, Beijing, China
• “Festival Internazionale di Roma”, L'Officina-Arte del Borghetto, Leadership, Italy

2002

• “New Photography from China”, Nobility Courtyard Gallery, Beijing, China
• 1st City Triennial, Guangdong Museum of Position, Guangzhou, China
• International Photography Festival, Pingyao, China

2001

• “Courtyard Gallery August Group Show”, The Courtyard Gallery, Beijing, China
• “China Art Now”, Singapore Art Museum, Singapore
• “Contemporary Chinese Photography”, Oulu Stamp Museum, Oulu, Finland
• “Contemporary Chinese Photography”, Finland Museum of Photography, Helsingfors, Finland
• “Hot Pot”, Kunstnernes, Oslo, Norway

2000

• “Fuck Off”, Eastlink Gallery, Shanghai, China
• “Artistes Contemporains Chinois”, Musee des Tapisseries, Aix-en-Provence, France
• “Thought Brand Meat Mincer”, Dongsi 8 Tiao Performance, Peiping, China
• “Food as Art”, Club Current, Beijing, China
• “Serendipity”, The Japan Trigger off Asia Center, Tokyo, Japan

1999

• “Transparence Opacite?”, Valle d’Aosta, Italy
• “Food for Thought”, Eindhoven, The Netherlands
• “Beijing in London”, ICA, London, UK
• “HSIN: a noticeable spirit”, Cypress College & BC Space Gallery, Cypress, CA
• “The Artificial Is Yours!”, Design Museum Suit, Beijing, China
• “Unveiled Reality-Chinese Contemporary Photography”, Chulalongkom University Museum, Bangkok, Thailand
• “Chinese Contemporary Photography”, Bard College, Insensitive Hook, NY

1998

• “Chinese Artists Group Show”, Chinese Contemporary Gallery, London, UK
• “Chinese Contemporary Photography”, Lehman College, New-found York, NY
• 11th Tallinn Triennial, Port, Estonia
• “Urbanity”, Wang Shou Temple Doorway Museum, Beijing, China

1997

• “W ²+ Ambrosial ²- Multi-media and video Exhibition”, Gallery of the National Institute of Fine Arts, Beijing, China

1995

• “La Formazione della Terra”, Goethe Academy Gallery, Turin, Italy

1993

• “Arte Deperibile”, Spazio Cultura Navile, Bologna, Italy
• “Zona Internazionale”, Neon Gallery, Bologna, Italy

1992

• “Collettiva Di Artisti Cinesi”, Il Sigillo Assembly, Padova, Italy

1991

• “Pittura su Carta”, Galleria Comunale, Ferrara, Italy

1989

1987

• “Three Men Show”, Sun Yat Sen Park, Peking, China

References

Bibliography

• Zhang Dali Destruction & Dialogue [Paperback] published manage without Courtyard Gallery, Beijing.

  Editor: Meg Maggio, 1999

• Q & A: Zhang Dali interview, CNN, Dec 11, 2006
• Archive of Chinese Avant Garde Art, Cornell University
• Wu Hong, Zhang Dali's Dialogue: Conversation with swell City in Public Culture – Vol.12, No.3, Fall 2000, pp. 749–768 accessed at [1] - dues only
• Maurizio Marinelli, 'Walls of Discussion in the Chinese Space', Pottery Information, No.

  18, 2004, pp. 429–462. Available at: or at:

• Maurizio Marinelli, 'Civilising the Citizens: Civic Slogans and the Right scolding the City', Portal, Vol. 9, No. 3, 2012,

External links